By using a universal symbolic architecture like the pyramid—one of the first constructions found on every continent since the dawn of humanity, from America, Egypt to China—I hope to establish a link between the past and the present in order to create a place for meditation and relaxation.

Noble material like marble of Carrara, stainless steel and plexiglass are vectors for the spectator who is invited to enter inside the artwork and search a link with the source, like a temple.

Choice of colours like white and black can leads to yin and yang energy and contemplation.

For example, Toward the Stars, with its geometric symbolism and ascendant energy, casts the spectator into the mirror of their inner soul. Through the reflection in stainless steel, they can meditate on their existence and raise their consciousness to a higher level, thus rediscovering the willingness to wonder.